Showing posts with label tolkien. Show all posts
Showing posts with label tolkien. Show all posts

Thursday, December 11, 2014

Film Review: Desolation of Smaug

I think the movie--and the series in general, so far--is much better than it is given credit for.  Jackson didn’t take as many liberties as one would have expected.  Below will be observations, pros, and cons:

Observations

They did a great job with King Thranduil (Lee Pace).  They captured his amorality perfectly.  I thought the quasi-romance between Tauriel and Kili was well-done.  I understand why purists are upset, but I don’t see what was lost.   For those who are upset at Gandalf’s actions at the end of the movie, I would remind you that Gandalf himself mentions he “knew the dungeons of Dol Goldur” in Fellowship of the Ring.  

Is Thranduil a Reformed amillennialist?  It appears so.  Let the world rot as long as we are okay in our little confines. Similarly, Thorin is the archetypal Fox News Conservative:  technically on the right side but completely without principles.

Pros

  • Like all of Jackson’s productions, the cinematography was perfect.
  • The “Barrel Ride” may be the finest 15 minutes ever put on film.
  • I have no problem with Jackson’s including Legolas.  He appears more masculine than in the original trilogy.
  • The Smaug section was way over-embellished, but certainly enjoyable.
  • Tauriel was perfectly cast, all purists aside.
  • The scene between Throrin and Thranduil: the dwarven language is like German:  perfect for swearing.

Cons

  • I don’t think anything was added by including Radagast (esp. in the first film).  In fact, I thought the book’s allusions to Radagast, but never his appearance, is what made R. so interesting.
  • The cliffhanger ending (even for those who know the story) is annoying.  

Sunday, November 30, 2014

Inventing the Middle Ages

Norman Cantor (1991) takes the various approaches to medieval historiography and uses them to illustrate scholarship in general, and from there draws a number of interesting conclusions about modern politics, religion, and social life (Cantor, 410-414). Cantor got in trouble for writing this work. While 80% of this work is brilliant scholarship, the other 20% make the tabloids look like peer-reviewed journals! The subtitle of the book should read "Professor Guilty of Sex Scandal: Cantor Tells All!" Then again, that is also why the book is so highly entertaining. After reading this book one may legitimately talk trash about various historians. Just kidding...sort of.

The study of the middle ages in the twentieth century was a microcosm of the larger battle for Western civilization. We see the Hegelian dialectic at work in which the culturally conservative U.S. Government was funding radical left-wing schools in France whose only merit was they were not politically active Communists. We see conservative reactions in the Formalist school, yet even this school merely asserted cultural conservatism--it never defined it at its roots.

Cantor discusses the various approaches to medieval historiography: functionalism, fantasy, the proto-Nazi approach, the French Jewish annales school, and the American school (with a few others).

This review will simply highlight his take on CS Lewis and JRR Tolkien, arguably the two most popular writers in the English language in the twentieth century. Secondary attention is given to the American School.

The Oxford Fantasists

This is probably the most famous part of the book. Cantor discusses the two most beloved writers of the English language in the twentieth century: Clive Staples Lewis and J. R. R. Tolkien. Their project is simple: draw upon the glories of medieval culture to rebuilt the shattered England from the ashes of WWII. While they accomplished no such goal, few can deny the staggering impact they have had on readers across the world.

It is at this point in the narrative that scholarly conservatives (and evangelicals in particular) will cry "shenanigans!" Cantor suggests Lewis was sexually repressed and was unable to consummate his marriage for several months, only to have his wife forcibly seduce him (211). The first problem with this statement is the obvious one: evidence? None. The suspected culprit is nearby, however. One suspects Cantor is relying upon the speculations of Ian Wilson, who bore no love for Lewis. Yet, does not Cantor also admit that Wilson failed in the basics of scholarly research and the demonstration of evidence (Cantor, 430)? Why should we take Wilson seriously?

The American School

The American school is the ideological brainchild of Woodrow Wilson. Its particular historical methods are not that important. On the other hand, Woodrow Wilson's worldview has dominated American politics (and by extension, literally the rest of the world) for 90 years. Not surprisingly, we see the American medieval history school as a justification for post-Christian Western politics.

The actual historical arguments by representatives Strayer and others are not that interesting, except for this: it is a specific justification of the Norman invasion of England, and the replacing of Saxon culture with a specifically Norman and Papal culture (269).  And I say this as a personal descendant of William the Conqueror. Such a task also involves a rewriting of the "other" culture's history. Interestingly, Strayer was also a CIA asset (262). One cannot help but speculate on the connections between Wilsonian progressivism, Norman and Frankish historiography, and the CIA: all of which contribute to the relativising of traditional communities around the world (at least today).

Conclusion:

The book is outrageous because of its daring. Part of it is brilliant historiography, the rest of it is scandalous tabloid. Let's be honest: few can deny the book's entertaining value. Fewer still can deny its scholarly arguments. Indeed, we followed his arguments because he tied them in with the moral peccadilloes of most of his comrades. Granted, I think he overdid it, nor do I ascribe the same normative and omnipotent value to psychoanalysis, especially the sexual aspects.

On the other hand, this book is a must read in terms of historiography. It should be mandated in all freshman history and liberal arts classes. It is interdisciplinary in character and demonstrates the best ways to integrate various fields.